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By Gtrmatic , May 16, in Logic Pro. Greetings, I have recently completed a mix and have bounced it to a single audio file to be mastered in a separate project. Before bouncing the mix, I slapped a meter on the stereo bus of the mix and the LUFS level peaked at However, this is not an issue in the mix because, as mentioned, the LUFS peaked at The song is intended principally to be streamed.

Based on this goal, it would seem that I would only use a limiter to control the true peak and prevent the master from exceeding my -. Is there an LUFS level that is considered too low? I ask this because the streaming services apply a normalization process to bring the song up to their specific level e. Spotify uses If the mix itself before mastering never exceeds the true peak and LUFS thresholds, is a limiter really necessary from a loudness perspective?

All guidance and recommendations are greatly appreciated. You can post now and register later. If you have an account, sign in now to post with your account. Paste as plain text instead. Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. By mq93 , 11 hours ago in Logic Pro. By joshj , 1 hour ago in Logic Pro. By Ananna , 2 hours ago in Logic Pro. Click here! Share More sharing options Followers 0.

Reply to this topic Start new topic. Recommended Posts. Gtrmatic Posted May 16, Posted May 16, Gtrmatic Logic Pro X Link to comment Share on other sites More sharing options This discussion could last months of too'ing and fro'ing and we would still be none the wise.

As a general rule when mastering for higher profile artist I aim for I have found this to be the perfect waypoint between dynamics, loudness and perceived volume for streaming services, digital retailers, analogue radio, DJ play and and cutting or pressing to physical mediums. It's not just about how they attenuate or boost according to LUFS levels but what preferences a listeners has on in relation to volume normalisation. Push too much for one angle as it is suggesting you do and you are moving to far from another angle.

I'm very comfortable with my methods. They are tried and tested. The loudness war is over but perceived volume is still king! Thanks Bonebones for your prompt response and excellent guidance. I greatly appreciate your sharing levels that work well for you in real world applications.

You saved me from going too extreme in one direction. I plan to incorporate these as guideposts in my workflow. Thanks again! You're most welcome, my opinions only of course. Just don't forget the number 1 over-arching rule in music production: 'If it sounds right, it is right'. Will do! Join the conversation You can post now and register later.

Reply to this topic Insert image from URL. Go to topic listing. Recent Topics Third party software to create Logic Sampler programs? Input latency By joshj , 1 hour ago in Logic Pro. I recorded all my instruments and vocals correctly sound in time with click track metronome for months, but now last section of my vocals are not in sync.

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